GUARDIAN MUSIC
Neuester Inhalt
Glebe: Gaudí review – a bold British jazz fusion debut
(ECN/Proper)
Guitarist Kieran Gunter and pianist Chris Bland and co embrace prog-rock, synth and velvety vocals on this Pat Metheny-inspired set
Ex-Vöid: In Love Again review – all of indie rock is here
(Tapete)
This latest iteration of Lan McArdle and Owen Williams’s Joanna Gruesome turns their lush vocals, guitar heroics and recent heartbreaks into melodic gold
Victoria Canal: Slowly, It Dawns review – a musical promise fulfilled
(Parlophone)
The Chris Martin-feted Spanish American singer-songwriter delivers a debut album that is mainstream pop fare but packed with variety and nuance
Songhoy Blues: Héritage review – the Malian rockers take a gorgeous acoustic turn
(Transgressive)
Close harmonies and delicate percussion front and centre showcase the band’s songwriting finesse on their beguiling fourth album
Mac Miller: Balloonerism review – poignant second posthumous album
(Warner’s)
Made during a difficult time in the late rapper’s life, this abandoned work captures the musicianship and introspection of his fertile mid-career
Ale Hop & Titi Bakorta: Mapambazuko review – Congolese soukous gets a maximalist makeover
(Nyege Nyege Tapes)
This Peruvian-Congolese partnership transforms traditional African guitar-playing with thrillingly chaotic sound design
Rose Gray: Louder, Please review – escapist dance-pop fizzes with inventiveness
(PIAS)
The London musician’s assured debut runs the gamut from aggressive jungle to uplifting house, toggling between hedonism and introspection
Rufus Wainwright: Dream Requiem review – a sense of special occasion, all concerned believe in it
Streep/Prohaska/Maîtrise et Choeur de Radio France/OP de Radio France/ Franck
(Warner Classics)
Hollywood royalty in the shape of Meryl Streep, and the soaring soprano of Anna Prohaska lend authenticity to Wainwright’s expressive eulogy to human loss
Debussy: String Quartet & Sonatas review – the Nash bring warmth and understanding
Nash Ensemble
(Hyperion)
The Ensemble mark their 60th anniversary with an outstanding recording of Debussy’s late sonatas
Mogwai: The Bad Fire review – noise stalwarts’ journey into hell is unexpectedly heavenly
(Rock Action)
While old-school fans may lament their softening, the Glasgow band swap rage for refuge as they face personal strife – and their 30th anniversary
Moonchild Sanelly: Full Moon review – hustle, energy and smut aplenty
(Transgressive)
The sex-positive South African trailblazer deserves to break into the mainstream with the fullest expression so far of her wit and sheer verve
Ethel Cain: Perverts review – a gothic follow-up determined to stay underground
(Daughters of Cain via Awal)
Ambient soundscapes dominate US singer-songwriter Hayden Silas Anhedönia’s resolutely avant garde second album
Tunng: Love You All Over review – a delightfully quirky return from the folktronica pioneers
(Full Time Hobby)
The inventive English six-piece deliver another slice of whimsy, wit and gentle musical experimentation
Franz Ferdinand: The Human Fear review – more revitalisation than reinvention
(Domino)
The Scottish art rockers’ sixth album benefits from an infusion of fresh blood, but can’t maintain the standards of the first few songs
Jakob Bro: Taking Turns review – lost masterpiece from great Dane’s understated jazz supergroup
(ECM)
Played by world-class personnel including Bill Frisell and the late, great alto saxophonist Lee Konitz, this 2014 set is full of subtle, spontaneous ideas
Moonchild Sanelly: Full Moon review – sex-positive South African swaggers towards stardom
(Transgressive)
Spinning the sounds of Johannesburg and Durban into distinctive, abrasive electro-pop, the blue-braided singer is filthy and sharply funny
Scarlatti: Daniele album review – unearthed oratorio takes listener into the lion’s den
Armonico Consort/Monks
(Signum)
Armonico Consort continues to rehabilitate the reputation of overlooked Scarlatti family member Francesco in this uneven but dramatic choral piece
Tippett: Piano Concerto; Symphony No 2 album review – the energy of the music is irrepressible
Osborne/London PO/Gardner
(LPO)
Edward Gardner conducts first-rate performances of two rarely recorded works, bringing Tippett’s musical language into sharp focus
Lambrini Girls: Who Let the Dogs Out review – stomps straight to the top of British punk’s table
(City Slang)
Championed by Iggy Pop and riot grrrl royalty, the Brighton duo pile on the jagged riffs, scabrous humour and swearing for their politically charged debut
Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixth
(Domino)
Alex Kapranos and co are finally acting their age, but have lost their cool in the process