GUARDIAN MUSIC
Neuester Inhalt
Yeule: Softscars review – digital dreampopper gets loud
(Ninja Tune)
Ethereal tendencies give way to screamo and shredding on the Singaporean-British songwriter’s third album
Corinne Bailey Rae: Black Rainbows review – an extraordinary new sound
(Thirty Tigers)
Rock, jazz, Afrofuturism… the British singer-songwriter is transformed on this record inspired by Chicago’s archive of Black art
Tamsin Elliott & Tarek Elazhary: So Far We Have Come review – an Anglo-Egyptian meeting of minds
(Penny Fiddle)
Bristol-based multi-instrumentalist Elliott and Cairo-based oud virtuoso Elazhary and friends run the gamut from morris dance to classical Arabic traditions
Cleo Sol: Heaven review – soulful succour from the Sault singer
(Forever Living Originals)
Part of the enigmatic London collective, the singer-songwriter’s third album is a balm of cool, dreamy reflections on faith, love and courage
Classical home listening: Mozart and CPE Bach from the Dunedin Consort; Cuarteto Quiroga’s Atomos
The baroque specialists thrill in a new edition of Mozart’s C minor Mass, while the Spanish string quartet go to the edge with Beethoven, Bartók and more
Continue reading...Kylie: Tension review – Padam was just for starters…
(BMG)
After this summer’s megahit single, Kylie Minogue remains firmly on the dancefloor – and the 1980s – with this largely irresistible set of disco and R&B cuts
Tomas Fujiwara: Pith review | John Lewis's contemporary album of the week
(Out of Your Head Records)
Patricia Brennan and Tomeka Reid’s unique talents are foregrounded in an album that spirals into ambient, post-rock and classical
Bakar: Halo review – genreless British star is also directionless
(Black Butter)
With anaemic music and maudlin lyrics full of staid teen tropes, Bakar blandly tweaks the sensitive male pop singer mould
Doja Cat: Scarlet review | Alexis Petridis’s album of the week
(Kemosabe/RCA)
There’s a pugilistic force to the rapper’s lyricism as she takes on her diehard fans’ sense of entitlement, but even amid some experimental production, she starts to repeat herself
John Wilson: Oklahoma! review | Andrew Clements's classical album of the week
Hackmann/Boggess/Sinfonia of London/Wilson
(Chandos, two CDs)
John Wilson’s scrupulously prepared recording gives us exactly what the audience would have heard on the musical’s opening night in New York in 1943
The National: Laugh Track review – second album of the year feels like a fresh start
(4AD)
The existential conundrums of a cast of sad-sack characters – including a shattering Phoebe Bridgers collaboration – build up in dread and anxiety toward an intense, teeth-baring pay off
Vic Mensa: Victor review – scattershot second album from the rap maverick
(Roc Nation)
A busy six years on from his debut, the US star swings from sacred to profane while celebrating sobriety on an album of hits and misses
The Pretenders: Relentless review – recalls their early-80s imperial phase
(Parlophone)
The interplay between Chrissie Hynde and guitarist James Walbourne goes from strength to strength on the punk survivors’ 12th album
Mitski: The Land Is Inhospitable and So Are We review – moving, exquisitely measured Americana
(Dead Oceans)
The Japanese-American singer-songwriter sounds deceptively sweet on this lush, contemplative album largely recorded in Nashville
Aaron Diehl & the Knights: Zodiac Suite review – Mary Lou Williams’s joyous 1945 work takes flight
(Mack Avenue)
A jazz-classical portrait of the 12 star signs, the American jazz great’s suite finds its ideal realisation in Diehl and co’s lovingly performed rendition
Classical home listening: Shostakovich’s 14th Symphony; Riot Ensemble’s Vestige
The BBC Philharmonic under John Storgårds excels in Shostakovich’s intimate penultimate symphony, while new music champions Riot Ensemble explore memory, healing and desire
Continue reading...DJ Znobia: Inventor Vol 1 review – raw minimalist kuduro to shake the dancefloor
(Nyege Nyege Tapes)
The Angolan producer arrived at his own version of the dance style kuduro after adding layered synths to folk rhythms, and these tracks show his lo-fi ingenuity
Diddy: The Love Album: Off the Grid review – rap megastar gets lost amid big-name return
(Love Records)
Diddy’s productions remain imaginative across this 24-track album, but he gives us frustratingly little lyricism
Ethel Smyth: Der Wald review | Erica Jeal's classical album of the week
Romaniw/Barnett Jones/Murray/Shore/BBCSO/BBC Singers/Andrews
(Resonus)
Smyth’s opera was the first by a woman to be performed at New York’s Met. One hundred and twenty years later this is its first recording
Mitski: The Land Is Inhospitable and So Are We review – a songwriter with stunning melodic power
(Dead Oceans)
Playing country-inflected orchestral pop with sardonic wit and deep feeling, Mitski underlines why she’s one of the very best singer-songwriters working today