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DEKT BREMEN
PRAISE THE LORD
01 Fogging Molly
Grace Of God Go I 09 01:55
02 Landesjugendcamp
Besser gerecht 04:26
03 Tomte
Was Den Himmel erhellt 04:33
04 Wyse Guys
Lebendig und kraeftig
und schaerfer 2:45
05 Bela B. Urban Delights
StPauli 05
You´ll never walk alone 03:14
06 Kanzleranruf
Kirchliche Trauung 06 02:32
07 Milow Ayo Technology 03:30
08 Ricky Shane Mamy Blue 05:00
09 Rosenstolz
Gib Mir Mehr Himmel 11 04:32
10 Rosenstolz
02 Liebe Ist Alles 03:30
11 Hufeisen Freiheitslied 03:36
12 David Plüss/Martin Falk:
Gott gab uns Atem 02 03:18
13 Ray_Charles
I believe to my soul 04 03:00
14 Buck wheat Zydeco Teenahnah 04:43
15 Rebirth brass band
freedem_03.wavdom_03 07:20
16 He Turned The Water Into Wine 02:45
17 Bruce Cocktburn
Wandering where the lions are 06 03:46
18 Barclay james Harvest Hymn 04:25
19 Tote Hosen Nur zu Besuch 23 04:38
20 Trad. Israel Hawanagila 01:05
21 Melissa Etheridge
The green grass grew all around 04:16
Gesamtzeit: 79:41.
2009 © by AITSCH JIE
Diese Compilation
wurde erstellt fuer SOLALA;
IMBSHAUSEN 41
und KIDS von HULLERSEN 2009 im Solling!
Angelehnt an Compilationen
von “Dürk” Grundmann
© AitschJie 2009
__________________________
1
Flogging Molly
Grace Of God Go I
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Lookin' down through a tide of no return
Is a field where the crops no longer grow
Parched is the land, strangled an' be damned
There for the Grace Of God Go I
Down beside where the riverbed sleeps
Is a man not knowin' what he should feel
Mocked by the wave that beats the waters edge
There for the Grace Of God Go I
If I ever hurt another like thee again
I would drown myself beneath your name
Lost was the child, we all once did hide
There for the Grace Of God Go I
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2
Besser gerecht
Landesjugendcamp
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Lookin’
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3
Tomte
Was den Himmel erhellt
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du sagtest ,,Wir verlieren
die stärksten und schönsten Söhne der Stadt" -
es leuchten Buchstaben über der Stadt
es leuchten Buchstaben über der Stadt
du weißt wir müssen weiterziehen
und es scheint als wären wir
leuchtende Buchstaben über der Stadt
es leuchten Buchstaben über der Stadt
ich entschuldige mich für alles
was ich in Trümmern hinterließ
aber nicht für meine Bildung
und nicht für dieses Lied
wenn der Beat losgeht
ich habe mich mit Gott geprügelt
ich habe Dämonen gesagt was mir nicht passt -
es leuchten Buchstaben über der Stadt
es leuchten Buchstaben über der Stadt
es ist ein gutes Gefühl
zu sagen wir kennen uns noch in zehn Jahren -
es leuchten Buchstaben über der Stadt
es leuchten Buchstaben über der Stadt
ich gehe ohne Reue
ich gehe ohne Furcht
ich werde allen davon erzählen
und alle werden verstehen
wir erinnern uns an alles
an jede Geste jedes Wort -
und ich stehe hier um dir zu sagen
es gibt nichts das man vermisst
ich fragte nie nach Erlaubnis
ich fragte mich nur wo du bist
ich gehe ohne Reue
ich gehe ohne Furcht
es leuchten Buchstaben über der Stadt
die mich zum Mann gemacht hat
und was den Himmel erhellt
eine der letzten großen Freundschaften der Welt
grüß alle die du kennst
ich hab die Dinge gezähmt
und was den Himmel erhellt
eine der letzten großen Freundschaften der Welt
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4
Wyse Guys
Lebendig und kräftig
und schärfer
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Lebendig und kräftig und schärfer
Text und Musik: Daniel "Dän" Dickopf
Arrangement: Edzard Hüneke
Zusammen erleben, was das Leben ist -
lebendig und kräftig und schärfer.
Die Welt verändern schon mit einem kleinen Lachen.
Endlich bereit sein, den Unterschied zu machen.
Lasst uns dem Alltag, der so nichtig ist,
entgegenstellen, was uns wichtig ist.
Mit frischem Schwung und neuer Energie,
so gut gelaunt und engagiert wie nie:
Zusammen erleben, was das Leben ist...
lebendig und kräftig und schärfer.
Und spüren, dass du nicht alleine bist –
lebendig und kräftig und schärfer.
Man fühlt sich oft auf sich allein gestellt.
Oft fehlt die Kraft, dass man dagegenhält.
Zu oft das letzte Wort den Ander’n überlassen,
zu oft verführt, sich nur der Mehrheit anzupassen.
Wir wachen auf aus dieser Lethargie
und zeigen, dass wir so lebendig sind wie nie.
Zusammen erleben, was das Leben ist...
Es gibt so viel zu zeigen und entdecken,
schon zu viel Zeit damit verlor’n, sich zu verstecken.
Wir merken, dass es nie zu spät ist, zu beginnen,
und zeigen das der Welt da draußen und hier drinnen.
Zusammen erleben, was das Leben ist...
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5
Bela B. &
Urban Delights
You´ll never walk alone
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Ihr geht niemals alleine
Dieses Lied ist für euch
David Luca Leon
Es soll euch durch die Nacht begleiten
und euch durch den Tag helfen
Wann auch immer etwas schief geht
werde ich bei euch sein
Auch wenn Wolken da sind
Wir kämpfen uns da durch
Ihr geht niemals alleine (Ich werde bei euch sein)
Niemals alleine gehen (Ich werde bei euch sein)
Und wenn ihr denkt ihr müsst weinen
Dann ruht euch an meiner Seite ein wenig aus
Ihr solltet wissen,
Ihr geht niemals alleine
Dieses Lied ist für euch
David Luca Leon
Es ist ein Lied nur für euch
Um euren Tag zu erhellen
Wann auch immer etwas schief geht
Ich werde bei euch sein
Wann auch immer Wolken da sind
Wir kämpfen uns da durch
Ihr geht niemals alleine (Ich werde bei euch sein)
Niemals alleine gehen (Ich werde bei euch sein)
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7
Milow
Ayo Technology
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[1. Strophe]
She's a workin' girl, she's workin' the poles
She breaks it down, she takes it low
She's fine as hell, she's up out the do’
She's doin' her thing, right on the flo’
Her money money, she's makin'
Get the way she's shakin'
Make me wanna touch it
You wanna taste it
Have you lustin for her going crazy
Face it
She's so much more then you use to
She knows just how to move to seduce you
She's going to do the right thing and touch the right spot
She'll dance in your lap until your ready to pop
She's always ready, when you want it, she wants it
Like a nympho, the info, I'll show you were to meet her
On the late night, till day light, the club jump
And if you want a good time she gonna give you what you want.
[Refrain]
Baby it's a new age, you're like my new craze
Lets get together maybe we can start a new phase
This smokes got the club all hazy
Spotlights don't do you justice baby
Why don't you come over here?
You got me saying "AYO!"
I'm tired of using technology
Why don't you sit down on top of me?
"AYO!"
I'm tired of using technology
I need you right in front of me
[2. Strophe]
In the fantasy, it's plain to see
Just how it be, her and me
Back stroking, sweat soakin, all way threw my scent seats
Who's ready to ride? I’m ready to roll
I'll be in this bitch till the club close
Watching her do what thing on all fours
Now that right there should be against the law
Different style, different move, damn I like the way you move
Girl you got me thinkin bout, all the things I do to you
Let's get it poppin shorty, we can switch positions
From the couch, to the counters in my kitchen
[Refrain]
Baby it's a new age, your like my new craze
Lets get together maybe we can start a new phase
This smokes got the club all hazy
Spotlights don't do you justice baby
Why don't you come over here?
You got me saying "AYO!"
I'm tired of using technology
Why don't you sit down on top of me?
"AYO!"
I’m tired of using technology
I need you right in front of me
[Bridge]
Uh! She wants it
Uh! She wants it
Mmh! She wants it
I gotta give it to her
She wants it!
Mmh! She wants it
Mmh! She wants it
I gotta give it to her
I gotta give it to her
[Refrain]
Baby it's a new age, your like my new craze
Let's get together maybe we can start a new phase
This smokes got the club all hazy
Spotlights don't do you justice baby
Why don’t you come over here?
You got me saying
"AYO!"
I'm tired of using technology
Why don't you sit down on top of me?
"AYO!"
I’m tired of using technology
I need you right in front of me
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8
Ricky Shane
Mami Blue
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Oh Mamy Oh mamy mamy blue ....
Ich ging im zorn einst von dir fort
ganz ohne Kuss und AbschiedswordIch drehte mich nicht einmal um - oh Mama
Ich sah das Leben und die Welt - und plötzlich hab´ ich festgestellt
Wie sehr mir deine Liebe fehlt - oh mamy
(Ich fühl mich so allein)
Ref.
Oh mamy - oh mamy mamy blue - oh mamy blue (Oh mamy mamy)
Oh mamy - oh mamy mamy blue - oh mamy blue
Oh mamy - oh mamy mamy blue - oh mamy blueOh mamy - oh mamy mamy blue - oh mamy blue
Heut komm ich reuevoll nach haus
Wie fremd und kalt sieht alles aus
Ich rufe und du bist nicht da - oh mamaIch will dich doch noch einmal sehn -Nur du allein kannst mich mich verstehnDoch meine Arme bleiben leer - zu spät - du lacht nie mehr
Oh mamy - oh mamy mamy blue - oh mamy blue (Oh mamy mamy)
Oh mamy - oh mamy mamy blue - oh mamy blue
Oh mamy - oh mamy mamy blue - oh mamy blueOh mamy - oh mamy mamy blue - oh mamy blue
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9
Rosenstolz
Mir mehr Himmel
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Für mich gibt's keine Uhr
Es ist ewig schon zu spät
Das immer gleiche Ticken
Macht mich
Längst nicht mehr verrückt
Und ich frag mich nicht
Wozu denn auch
Bin ich denn wirklich noch dabei
Steh ich mittendrin
Und seh ich deshalb gar nichts mehr
Geht's mir viel zu gut
Und fühl ich deshalb mich so leer
Will nur noch fort
Nur noch fort
Denn selbst der Himmel
War nur geklaut
All seine Farben
Zu schnell verbraucht
Ich hab mich grade selbst verpasst
Und heut hol ich mich nicht mehr ein
Mehr Himmel
Gib mir mehr Himmel
Ich hab mich niemals fortbewegt
Und doch flog ich am Ziel vorbei
Mein Lachen ist nicht echt
Doch meine Tränen um so mehr
Ich leb als würd ich ewig leben
Und das nur nebenher
Meine nächste Zigarette ist das
Einzige was mich aufrecht hält
Ich hab mich nie getraut
Über¹s Ziel hinaus zu sehn
Hielt mich fest an meinem Plan
Immer in der Mitte stehn
Jetzt muss ich fort
Ich will jetzt fort
Denn selbst der Himmel
War nur geklaut
All seine Farben
Zu schnell verbraucht
Ich hab mich grade selbst verpasst
Und heut hol ich mich nicht mehr ein
Mehr Himmel
Gib mir mehr Himmel
Ich hab mich niemals fortbewegt
Und doch flog ich am Ziel vorbei
Gib mir mehr Himmel
Mehr Himmel
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10
Rosenstolz
Liebe ist alles
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Hast du nur ein Wort zu sagen
nur ein Gedanken dann
lass es Liebe sein
Kannst du mir ein Bild beschreiben
mit deinen Farben dann
lass es Liebe sein
Wann du gehst
Wieder gehst
Schau mir noch mal ins Gesicht
sags mir oder sag es nicht
Dreh dich bitte nochmal um
und ich sehs in deinem Blick
Lass es Liebe sein lass es Liebe sein
Hast du nur noch einen Tag
nur eine Nacht dann
lass es Liebe sein
Hast du nur noch eine Frage
die ich nie zu fragen wage dann
lass es Liebe sein
Wann du gehst
Wieder gehst
Schau mir noch mal ins Gesicht
sags mir oder sag es nicht
Dreh dich bitte nochmal um
und ich sehs in deinem Blick
Lass es Liebe sein lass es Liebe sein
Das ist alles was wir brauchen
noch viel mehr als große Worte
Lass das alles hinter dir
fang nochmal von vorne an
Denn
Liebe ist alles
Liebe ist alles
Liebe ist alles
Alles was wir brauchen
3x Liebe ist alles
Alles was wir brauchen
Lass es Liebe sein
Das ist alles was wir brauchen
noch viel mehr als große Worte
Lass das alles hinter dir
fang nochmal von vorne an
Denn
3x Liebe ist alles
Alles was wir brauchen
2xLass es Liebe sein
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12
Falk/Plüss
Gott gab uns Atem
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Gott gab uns Atem
1. Gott gab uns Atem, damit wir leben, er gab uns Augen, dass wir uns sehn.
Gott hat uns diese Erde gegeben, dass wir auf ihr die Zeit bestehn.
Gott hat uns diese Erde gegeben, dass wir auf ihr die Zeit bestehn.
2. Gott gab uns Ohren, damit wir hören. Er gab uns Worte, dass wir verstehn.
Gott will nicht diese Erde zerstören. Er schuf sie gut, er schuf sie schön.
3. Gott gab uns Hände, damit wir handeln. Er gab uns Füße, damit wir fest stehn.
Gott will mit uns diese Erde verwandeln. Wir können neu ins Leben gehn.
Gott gab uns Atem
1. Gott gab uns Atem, damit wir leben, er gab uns Augen, dass wir uns sehn.
Gott hat uns diese Erde gegeben, dass wir auf ihr die Zeit bestehn.
Gott hat uns diese Erde gegeben, dass wir auf ihr die Zeit bestehn.
2. Gott gab uns Ohren, damit wir hören. Er gab uns Worte, dass wir verstehn.
Gott will nicht diese Erde zerstören. Er schuf sie gut, er schuf sie schön.
3. Gott gab uns Hände, damit wir handeln. Er gab uns Füße, damit wir fest stehn.
Gott will mit uns diese Erde verwandeln. Wir können neu ins Leben gehn.
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13
Ray Charles
I believe to my soul
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One of these days, and it won't be long,
You're gonna look for me and I'll be gone
'Cause I believe (I believe, yes I believe)
I say I believe right now (I believe, yes I believe)
Well I believe to my soul now,
You're tryin' to make a fool of me (I believe it, I believe it)
Well you're goin' 'round here with your head so hard,
I think I'm gonna have to use my rod
'Cause I believe (I believe, yes I believe)
I say I believe right now (I believe, yes I believe)
Well I believe to my soul now
You're tryin' to make a fool of me (I believe it, I believe it)
Last night you were dreaming and I heard you say
"Oh, Johnny" when you know my name is Ray
That's why I believe right now(I believe, yes I believe)
I say I believe right now (I believe, yes I believe)
Well I believe to my soul now
You're tryin' to make a fool of me (I believe it)
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14
Buck Wheat Zydeco
Tee nah nah
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Lookin’
Album: Cajun
Buckwheat Zydeco
(born Stanley Dural, Jr.
November 14, 1947)
is an accordionist and zydeco performer, one of the few to achieve mainstream success.
Vgl. Smiley Lewis & auch die
Tee Nah Nah – Stompers aus der Schweiz!
Ebenfalls Hucks mit nah neh nah
(von Vaya Con Dios)
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Tee Nah Nah : The Story of Smiley Lewis ©2002JCMarion
Smiley Lewis was born Overton Lemon in St. James Parish in Louisiana in 1920. He became interested in music at an early age and as a teenager, jumped a slow moving freight train and wound up in New Orleans. He was given a room to live in by a White family named Lewis and so young Overton adopted their surname as his own. In his mid twenties he was given the nickname "Smiley" or "Smiling" because of his lack of front teeth. He met up with a local musician named Isidore "Tuts" Washington, and they often worked in local clubs together. During the years of the Second World War, Lewis and Washington were part of the band of Ernest "Kid" Molliere, and played many dates at the army base at Fort Polk. They also did dates at night spots in the French Quarter. After the war, the trio of Lewis, Washington, and Herman Seals on drums, became a local favorite. Smiley was a guitar player and blues vocalist, and soon he made his first recordings in 1947 for the then New Jersey based DeLuxe Record label. The tunes were "Here Comes Smiley" and "Turn On Your Volume".
In late 1949 he had his first hit record, now recording for Imperial Records - "Tee Nah Nah" was the big side, and the reverse was the tune "Lowdown" on #5067. His trio was backed up by the famous house band of J & M recording studios in New Orleans led by Dave Bartholomew. In April the record sells big on the West Coast, and a month later was selling big in Chicago and Detroit, despite a cover version by Van Walls on Atlantic Records. In June Smiley followed Fats Domino into the recording studio and the result was Imperial #5072 - "Slide Me Down" and "Growing Old". The recording of "Growing Old" takes off in Smiley's adopted town of New Orleans. Late in the year "Dirty People" and "If You Ever Loved A Woman" was released on Imperial #5102. Once again New Orleans is a buyer's market for records by Lewis who is as identified with the city as Fats Domino and Lloyd Price. "Dirty People" continues to do well across the South in early 1951, and by the time sales start to fall off for the tune, the new release is ready - "Bea's Boogie" and "My Baby Was Right" on #5124.
Lewis plays area night spots for the rest of the year, and in early 1952, "The Bells Are Ringing" and "Lillie Mae" is released on Imperial #5194. Smiley plays a number of New Orleans dates fronting the band of Dave Bartholomew, New Orleans favorites. "Lillie Mae" is showing good sales in Texas and Southern California. Later in the year it seems that Imperial Records is exploiting their one-two punch of Fats Domino and Smiley Lewis. Lewis records "Gumbo Blues" and "It's So Peaceful In The Country" on #5208. Surprisingly "The Bells Are Ringing" is still selling in parts of the country, and winds up being a decent hit for Smiley..
In the Spring of 1953 Smiley does "Big Mamou", written by Link Davis, and a pop music hit for Pete Handley, and "Playgirl" on Imperial #5234. Almost immediately, "Playgirl" takes off in the Washington D.C. - Baltimore - and Richmond areas. After a decent run Imperial readies the next record by Lewis on #5241 - "Caldonia's Party" and "Oh Baby". Smiley continues to be a good draw in night clubs especially in his adopted home town of New Orleans. In late September of the year "Little Fernandez" and "Ituary of 1954 Smiley records "Blue Monday" and "Down The Road" on #5268. New Orleans and Chicago take to the new recording. "Blue Monday" was written by Dave Bartholomew (as many of Smiley's tunes were) and would prove to be a monster hit for Fats Domino two years later. In April Smiley gives his version of the tune "I Love You For Sentimental Reasons" and "The Rocks" on #5279 for Imperial Records. In May with "Blue Monday" still selling, and "The Rocks" taking off, Smiley is a big draw at Chicago's premiere showcase of Black talent, the Club Delisa. Lewis also has personal appearance dates in Gary, Indiana, Cleveland, and Louisville. In October, Imperial #531's Music" is released on #5252. He also continues to try and move out from the shadows of Imperial's big gun, Fats Domino.
In Febr6 is released - "Too Many Drivers At The Wheel" and "Ooh La La".
Smiley Lewis opens up 1955 with a January release on Imperial #5325 - "Jailbird" and "Farewell". In July of the year "I Hear You Knocking" and "Bumpity Bump" are released on #5356. By August it is clear that "I Hear You Knocking" is going to be a monster hit record featuring great piano work by Huey "Piano" Smith. It is being played on many pop stations and is the first national hit for Smiley. All through the fall "Knocking" is everywhere and it finally gives Lewis the music breakthrough needed to become one of the top performers in the New Orleans R & B field. It is obvious that the record has national sales implications when the tune is covered by Gale Storm for Dot Records. At year's end "Queen Of Hearts" and "Come On" are released on Imperial #5372.
In early 1956 "One Night" is released by Imperial on #5380. The flip side is "Ain't Gonna Do It". The bluesy "One Night" is another big hit for Lewis and of course, would be covered (with abridged lyrics) by Elvis for RCA. After a good run the followup is out in late April. "She Got Me Hook Line And Sinker" and "Please Listen To Me" are released on Imperial #5389. Late in the summer "Someday You'll Want Me" and "Down Yonder We Go Ballin" are out on #5404. Smiley goes on a tour of one nighters through the South with Joe Jones & his orchestra. In November, "No No" and "Shame Shame Shame" on Imperial #5418 is released. The tune "Shame" will be used on the soundtrack of the Warner Brothers motion picture "Baby Doll". The tune is also covered by Billy Williams for Coral Records.
In March of 1957 Smiley does the old country music standard "You Are My Sunshine" and "Sweeter Words" for Imperial on #5431. In June Smiley sitgns on with the Shaw Organization's big travelling road show "The Fantabulous Rock & Roll Show of 1957" . The six week tour also features Bo Diddley, Ruth Brown, The Coasters, Schoolboys, 5 Satins, Paul Williams Orchestra and others. Late in July Imperial releases #5460 which features the songs "Go On Fool" and "Gonna Jump And Shout". That November Imperial Records releases #5478 - "Bad Luck Blues" and "School Days Are Back Again". By late 1957, it seems as though Smiley Lewis has been side tracked as many of the founding R & B performers are as straight forward rock 'n roll dominates the airwaves with teen idols and rock-a-billy Elvis wannabees. Smiley Lewis hangs in and in March of 1958 "Rootin Tootin" and "I Can't Believe It" are released on Imperial #5470. In 1959 he was dropped by Imperial after a decade, and early in the year recorded for the small Knight label with the tunes "Baby Please" and "I Shall Not Be Moved" on #2007. a few lackluster records surfaced in the early 60's on labels such as Loma, Okeh, and even Dot. By the middle of the decade, Lewis was seriously ill, and passed away from the effects of cancer on October 7, 1966 just days before a benefit concert was planned in his honor.
The music of Smiley Lewis is preserved on two CDs that are available. The first is called "I Hear You Knocking : The Best Of Smiley Lewis" on Collectables, and the always complete and authoritative set from Bear Family - a four CD set called : "Smiley Lewis : Shame Shame Shame" with all of his recorded output. Smiley Lewis, a giant of New Orleans R & B and giving us a decade of great American musical treasures will always be remembered.
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15
Rebirth Brass Band
Freedom
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Featured performers include ReBirth Brass Band, Geno Delafose
& French Rockin' Boogie, and Sherman Robertson with special
guest Trudy Lynn and much more!
Hoere auch DIRTY DOZEN BRASS BAND
1. "Big Chief Part 1" - Professor Longhair - Mardi Gras In New Orleans
2. "Carnival Time" – Al Johnson - Mardi Gras In New Orleans (***Watch out! This is a completely different recording from the one listed above.)
3. "Mardi Gras Mambo" - The Hawketts - A History Of The Nevilles
4. "The Second Line" – Stop Inc. - New Orleans Ringtones
5. "Hey Pocky A-Way" - The Meters - Rhino On Da Bayou
6. "Mardi Gras In New Orleans" – Dirty Dozen Brass Band - This Is The Collection
7. "Carnival Time" - Bo Dollis & The Wild Magnolias - I’m Back . . . at Carnival Time
8. "Chockamo Feendo Hey" - Danny Barker And His Creole Cats - New Orleans Mardi Gras (out of print)
9. "Meet De Boys On The Battlefront" - Wild Tchoupitoulas - The Wild Tchoupitoulas
10. "Indian Red" - Cara Harrison - Her Name Is New Orleans
11. "Brother John" 3:37 - Wild Tchoupitoulas - The Wild Tchoupitoulas
12. "Handa Wanda" - Bo Dollis & The Wild Magnolias - 30 Years.. And Still Wild!
13. "White Eagles Indian Practice" - Bo Dollis & The Wild Magnolias - 30 Years.. And Still Wild!
14. "Indian Red" - The Golden Eagles Featuring Monk Boudreaux - Lightning & Thunder
15. "Mardi Gras Make Ho Na Nae" - Bo Dollis & The Wild Magnolias - 30 Years.. And Still Wild!
16. "Yella Pocahontas" - Champion Jack Dupree - Super Sunday Showdown
17. "Hell Out The Way" - Bo Dollis & The Wild Magnolias - 30 Years.. And Still Wild!
18. "New Suit" - The Wild Magnolias - They Call Us Wild
19. "Let’s Go Get ‘Em" - Bo Dollis and Monk Boudreaux - Super Sunday Showdown
20. "Shoo-Fly" - Bo Dollis and Monk Boudreaux - Super Sunday Showdown
21. "Do Whatcha Wanna Pt.3" - Rebirth Brass Band - Rhino On Da Bayou
22. "Oops Upside Your Head" - Bo Dollis & The Wild Magnolias - Super Sunday Showdown
23. "Mardi Gras In New Orleans" - Professor Longhair - A New Orleans Mardi Gras, Vol. 1
24. "Ho Na Nae" - Bo Dollis & The Wild Magnolias - 30 Years.. And Still Wild!
25. "Two Way Pak E Way" - The Wild Magnolias - They Call Us Wild
26. "Big Chief - Part 2" - Professor Longhair - Mardi Gras In New Orleans
Lies aus San Francisco
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16
Johnny Cash
He turned the water into vine
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He turned the water into wine
he turned the water into wine
In the little Canan town the word
went all around that
he turned the water into wine
Well he walked upon the Sea of Galilee
he walked upon the Sea of Galilee
Shouted far and wide
he calmed the raging tide
and walked upon the Sea of Galilee
He turned the water into wine
he did my lord now,
he turned the water into wine
In the litle canan town,
the word went all around that
he turned the water into wine
He fed the hungry multitude,
he fed the hungry multitude.
With a little fish and bread, t
hey said every one was fed, 5000
He fed the hungry multitude.
He turned the water into wine.
He did, just a carpender from Nazrith,
He turned the water into wine,
In the little canan town,
the word went all around,
He turned the water into wine.
He turned the water into wine...
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17
Bruce Cockburn
Where the lions are
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Lyrics:
Sun's up, uh huh, looks okay
The world survives into another day
And I'm thinking about eternity
Some kind of ecstasy got a hold on me
I had another dream about lions at the door
They weren't half as frightening as they were before
But I'm thinking about eternity
Some kind of ecstasy got a hold on me
Walls windows trees, waves coming through
You be in me and I'll be in you
Together in eternity
Some kind of ecstasy got a hold on me
Up among the firs where it smells so sweet
Or down in the valley where the river used to be
I got my mind on eternity
Some kind of ecstasy got a hold on me
And I'm wondering where the lions are...
I'm wondering where the lions are...
Huge orange flying boat rises off a lake
Thousand-year-old petroglyphs doing a double take
Pointing a finger at eternity
I'm sitting in the middle of this ecstasy
Young men marching, helmets shining in the sun,
Polished as precise like the brain behind the gun
(Should be!) they got me thinking about eternity
Some kind of ecstasy got a hold on me
And I'm wondering where the lions are...
I'm wondering where the lions are...
Freighters on the nod on the surface of the bay
One of these days we're going to sail away,
going to sail into eternity
some kind of ecstasy got a hold on me
And I'm wondering where the lions are...
I'm wondering where the lions are...
Known comments by Bruce Cockburn about this song, by date:
Editor's note: Partially inspired by Charles Williams' book The Place of the Lion.
circa 2001: Wondering Where The Lions Are is used as the opening song in an ER episode called Great Expectations, where Carol Hathaway gives birth; the song plays as the intro after the opening credits as Carol gets out of bed and starts her day.
"Huge orange flying boat rises off the lake" - The lake is Sproat Lake (on Vancouver Island, BC) and the flying boats are, Mars Water Bombers, used for fighting fires. The petroglyphs are on Vancouver Island too. (Submitted by Audrey Pearson, 25 November 2002)
1986
"There was nearly war on the Sino-Russian frontier. I had dinner in Ottawa with someone who worked in defense research at one of those jobs about which he could say nothing. He and his colleagues were really scared because at the time, while the Soviets and Americans had an 'understanding' by which they would avoid surprising each other, China was the wild card in the deck. That night I experienced a rerun of a dream I'd had some years before in which lions roamed the streets in terrifying fashion, only this time they weren't threatening at all. When I woke up in the morning some things connected, and I wrote the beginning of this song while driving out of town along the Queensway."
-- from "All The Diamonds" songbook, edited by Arthur McGregor, OFC Publications 1986. Submitted by Rob Caldwell.
1994
"I have a relative who is involved in one of those kinds of government jobs where they can't say what they do. The part you can say involves monitoring other people's radio transmissions and breaking codes. At that time China and the Soviet Union were almost at war on their mutual border. And both of them had nuclear capabilities. I had dinner with this relative of mine and he said, "We could wake up tomorrow to a nuclear war." Coming from him, it was a serious statement. So I woke up the next morning and it wasn't a nuclear war. [Laughs] It was a real nice day and there was all this good stuff going on and I had a dream that night which is the dream that is referred to in the first verse of the song, where there were lions at the door, but they weren't threatening, it was kind of a peaceful thing. And it reflected a previous dream that was a real nightmare where the lions were threatening."
-- from "Closer to the Light with Bruce Cockburn" by Paul Zollo, SongTalk, vol. 4, issue 2, 1994. Submitted by Rob Caldwell.
November 1999
"... but what I also got was a huge amount of air-play for that song,[referring to If I Had A Rocket Launcher] which I hadn't really had before - the one exception being Wondering Where The Lions Are which got played in the US as well as Canada. WWTLA was the first song I'd had that got big time national air-play in Canada and it got on the Billboard chart in the US. But whereas it was the start of something in the Canada, in the sense that the next few records I put out also got a lot of air-play, in the States that didn't happen, so with Rocket Launcher it was like starting all over again. And that time it did take, and it's been progressively better since then."
-- from "Bruce Cockburn Interview", Guitarist Magazine, November 1999, by Steve Lawson.
22 March 2002
"How many of you find petroglyph to be a strange word? I don't know, I mean, I didn't go to any special trouble to learn the word petroglyph in my life but it just sort of came, you know, like other words like 'don't' and 'okay' and 'frankincense' and you know, whatever. 'Victorian', 'novella.' Petroglyph. Petroglyph is a rock painting, for those who haven't run across the word, and in the context of the song in which that word appears, which I'm about to do it makes sense, to me at least.
A couple of people have done different versions of this song -- once in a while somebody other than me records one of my songs -- and in both cases that I'm aware of, they were not aware of the meaning of petroglyph, apparently. Back in the early '80s Leo Sayer -- remember Leo Sayer? [falsetto] 'You make me feel like dancing' -- he did a version of this song and when he came to the word petroglyph he substituted 'dinosaur.' He was being more candid than we thought, maybe, I suppose, but I thought it was really strange, though, and when you hear the verse it appears in it's going to seem even stranger, like 'WHY?' Why if he's going to substitute anything is he going to substitute dinosaur? I think it's 'cause it started with P and had a few syllables and looked kind of Greek-like and so petroglyph, pterodactyl, you know it's all the same shit.
And then not too long ago, a couple years ago, a younger band, who I admire very much actually, a band called Vigilantes of Love did a version of the song for a compilation record and they changed the words too. They changed it to something about a big bird flying around. Which at least didn't conflict as much with the rest of the verse as dinosaur, but it didn't suggest to me that, even though I came by the word petroglyph without going to any special effort, other people perhaps had not run across it. You can judge for yourself whether it makes sense or not, I guess."
-- from a concert transcription of the 22 March 2002 Seattle, WA show. Submitted by Jeff McCloud.
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Suns oben, schaut uuh huh, okay
die Welt überlebt in einen anderen Tag
und ich denke an Ewigkeit
irgendeine Art Ekstase erhielt einen Einfluss auf mir.
Ich hatte einen anderen Traum über Löwen an der Tür
sie waren nicht halbes so erschreckendes, wie sie vorher waren
aber ich denke an Ewigkeit
irgendeine Art Ekstase erhielt einen Einfluss auf mir.
Ummauert Fensterbäume, bewegt durch kommen wellenartig
Sie sind in mir und ich bin in Ihnen
zusammen in der Ewigkeit
irgendeine Art Ekstase erhielt einen Einfluss auf mir
Herauf unter die Tannen, in denen sie so süß riecht
oder unten im Tal, in dem der Fluss verwendete, um zu sein
ich erhielt meinen Verstand auf Ewigkeit
irgendeine Art Ekstase erhielt einen Einfluss auf mir
und ich wundere mich, wo die Löwen sind…
ich wundere mich, wo die Löwen sind…
Sehr großes orange Fliegenboot steigt vor einem See,
tausend-Jahr-alte Petroglyphen, die eine Spätzundung tun,
Zeigen eines Fingers auf Ewigkeit
ich sitze mitten in dieser Ekstase
Junge Männer, die marschieren, Sturzhelme, die in der Sonne glänzen,
Polier, wie exakt wie das Gehirn hinter der Gewehr
(sollte sein!) sie erhielten mich denkend an Ewigkeit
irgendeine Art Ekstase erhielt einen Einfluss auf mir
und ich wundere mich, wo die Löwen sind…
ich wundere mich, wo die Löwen sind…
Frachter auf dem Kopfnicken auf der Oberfläche der Bucht
Eins von derzeit werden uns weg segeln,
Gehen, in Ewigkeit zu segeln
irgendeine Art Ekstase erhielt einen Einfluss auf mir
und ich wundere mich, wo die Löwen sind…
ich wundere mich, wo die Löwen sind
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18
Barcley James Harvest
Hymn
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Valley's deep and the mountain's so high
If you want to see God you've got to move on the other side
You stand up there with your head in the clouds
Don't try to fly you know you might not come down
Don't try to fly, dear God, you might not come down
Jesus came down from Heaven to earth
The people said it was a virgin birth
Jesus came down from Heaven to earth
The people said it was a virgin birth
He told great stories of the Lord
And said he was the saviour of us all
He told great stories of the Lord
And said he was the saviour of us all
For this they/we killed him, nailed him up high
He rose again as if to ask us why
Then he ascended into the sky
As if to say in God alone you soar
As if to say in God alone we fly.
Valley's deep and the mountain's so high
If you want to see God you've got to move on the other side
You stand up there with your head in the clouds
Don't try to fly you know you might not come down
Don't try to fly, dear God, you might not come down
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19
Tote Hosen
Nur zu Besuch
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Immer wenn ich dich besuch'
Fühl' ich mich grenzenlos
Alles and're ist von hier aus so weit weg
Ich mag die Ruhe hier,
Zwischen all den Bäumen
Als ob 's den Frieden auf Erden wirklich gibt
Es ist ein schöner Weg, der unauffallig
zu dir führt
Ja ich hab ihn gern,
weil er so hell und freundlich wirkt
Ich habe Blumen mit,
Weiss nicht ob du sie magst
Damals hättest du dich warscheinlich sehr gefreut
Wenn sie dir nicht gefall'n
Stör dich nicht weiter dran
Sie werden ganz bestimmt bald wieder
weggeräumt
Wie es mir geht, die frage stellst du jedes mal
Ich bin ok, will nicht, das du dir Sorgen machst.
Und so red' ich mit dir, wie immer
So als ob es wie früher währ
So als hätten wir jede menge Zeit
Ich spür dich ganz nah hier bei mir
kann deine Stimme hör'n
und wen es regnet, weiss ich das du manchmal weinst
Bis die sonne scheint...
...bis sie wieder scheint...
Ich soll dich grüssen
von den Andern
Sie denken alle noch
ganz oft an dich
Und dein garten
es geht im wirklich gut
Obwohl man merkt
das du ihm fehlst
Und es kommt immer noch Post
Ganz fett adressiert an dich
Obwohl doch jeder weiss
das du wegezogen bist...
Und so red ich mit dir wie immer
und ich verspreche dir
wir haben irgendwann wieder jede mange Zeit
Dann werden wir uns wieder seh'n
Du kannst dich ja kümmer wen du willst Das die Sonne an diesem Tag auch auf mein Grab scheint...
...Das die Sonne scheint...
..das sie wieder scheint..
Interpret: Die Toten Hosen
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20
Hevenu Shalom Alejchem
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hevenu Shalom alejchem
hevenu Shalom alejchem
hevenu Shalom alejchem
hevenu Shalom ,shalom shalom alejchem
Wir wünschen frieden Euch allen
wir wünschen frieden euch allen
wir wünschen frieden euch allen
wir wünschen frieden frieden frieden aller Welt
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21
Melissa Etheridge
Green Grass Grew All Around
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The Green Grass Grew All Around
And the green grass grew all around, all around
And the green grass grew all around
Oh there was a little hole
Oh the prettiest little hole
Oh the cutest little hole
That you ever did see
Yeah hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
Now in that hole there was a little tree
Oh the cutest little tree
That you ever did see
Yeah tree in the hole and the hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
Now in that tree there was a little nest
Oh the cutest little nest
That you ever did see
Yeah nest in the tree and the tree in the hole
and the hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
How you doing?
You're understanding this now? You got this now?
Cause I think you're just kinda mumbling along.
But it's just simple now. You know what's in the nest right?
I mean that's easy right?
Now in that nest there was a little bird
Oh the cutest little bird
That you ever did see
Yeah bird in the nest and the nest in the tree
and the tree in the hole and the hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
I gotta breathe after that one
Now it's all made sense so far so, so what's on the bird?
Ah come, what's on the bird?
Yeah
Now on that bird there was a little flea
Oh the cutest little flea
That you ever did see
Yeah flea on the bird and the bird in the nest and the nest in the tree
and the tree in the hole and the hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
Oh it's getting exciting.
What could be on that flea?
Do you know what's on the flea?
Yes you do. Here it comes.
Now on that flea there was a dinosaur
A great big dinosaur
And the flea said, "You're hurting me"
Dinosaur on the flea and the flea on the bird and the bird in the nest
and the nest in the tree and the tree in the hole
and the hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
Well...
Come on now as fast as you can
Dinosaur on the flea and the flea on the bird and the bird in the nest
and the nest in the tree and the tree in the hole
and the hole in the ground
And the green grass grew all around, all around
And the green grass grew all around
Must've been some of that crab grass; you just can't stop that stuff from growing.
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LA LA FUER “SO LA LA”
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In der Hitparade tummelt sich ein Song, der hauptsaechlich auf einer LALA-Phrase basiert
AYO TECHNOLOGY: AYO
Nicht in den Medien gespielt, aber auch
mit super LALA-Phrase:
buckwheat zydeco: tee nah nah
Fuer den Kirchentag plane ich eine
COMPILATION DEKT 2009
Dieser kann bei mir jederzeit
abgerufen werden.
Hier die Tracklist:
01 Fogging Molly 09 - Grace Of God Go I 09 01:55
02 Landesjugendcamp Besser gerecht 04:26
03 Tomte Was Den Himmel erhellt 04:33
04 Wyse Guys Lebendig und kraeftig und schaerfer 02:45
05 Bela B. Urban Delights
StPauli 05 You´ll never walk alone 03:14
06 Kanzleranruf Kirchliche Trauung 06 02:32
07 Milow Ayo Technology 03:30
08 Ricky Shane Mamy Blue 05:00
09 Rosenstolz Gib_Mir_Mehr_Himmel 11 04:32
10 Rosenstolz 02_Liebe_Ist_Alles 03:30
11 Hufeisen Freiheitslied 03:36
12 David Plüss/Martin Falk:
Gott gab uns Atem 02 03:18
13 Ray_Charles I believe to my soul 04 03:00
14 Buck wheat yzdeco_
teenahnah 04:43
15 Rebirth brass band
freemu_rebirthbrassband_freedem_03.wavdom_03 07:20
16 Johnny Cash He Turned The Water Into Wine 02:45
17 Bruce Cocktburn Wandering where the lions are 06 03:46
18 Barclay james Harvest Hymn 04:25
19 Tote Hosen Nur zu Besuch 23 04:38
20 Trad. Israel Hawanagila 01:05
21 Melissa Etheridge The green grass grew all around 04:16
Gesamtzeit: 79:41.
Ende der Titelliste.
MATERIAL
DEKT BREMEN 09 - SONGS & HYMNS IN CHRISTIANITY
luther barnes and the red budd gospel choir: my god can do anything
rebirth brass band: freedom
wise guys: ohrwurm (live)
johnny cash: he turned the water into wine
eine surreale geschichte
hochzeit mit reichlich geistlich
stimulierendem wein
bela & urban delights: never walk alone
tomte: himmel erhellt
ray charles & runen studdard & harlem
gospel choir: imagine
ray charles: i believe
flogging molly: grace of god go i
u2: god if god will send his angels
(big yam mix)
buckwheat zydeco: tee nah nah
wie kann ich ohne suende leben?
ich bin in liebe entbrannt zu einer
verheirateten frau
siehst du sie luestern an,
so hast du gesuendigt
im afraid, to call her name
in love with a merried woman
i get in trouble
wie suess ist diese liebe -
diese melodie
patrice: done
(where is love to be found?)
tote hosen: was zaehlt?
tote hosen: steh auf, wenn du am boden liegst
billy idol: god rest ye, gentleman
bob marley: redemption song
kent henry: siyahamba
chris cornell: redemption song
barcley james harvey: hymn
collection dirk grundmann
garth hewitt: that's why we're here
elton john: nobody wins
simon & garfunkel: bridge
simon & garfunkel: rock
rem: losing my religion
police: message in a bottle
cat stevens: blackness of night
steht auf, wenn du ein bremer bist
michael mittermeier: kumba yo
bruce cockburn: fascist architecture
bruce cockburn: lord of the starfields
u2: will you be back tomorrow?
u2: sunday bloody sunday
john lennon: working class hero
der wal des jona
der wal der
message in a bottle
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